翻訳と辞書 Words near each other ・ A Man Called Hawk ・ A Man Called Hero ・ A Man Called Horse ・ A Man Called Horse (film) ・ A Man Called Horse (short story) ・ A Man Called Hoss ・ A Man Called Magnum ・ A Man Called Peter ・ A Man Called Pirate ・ A Man Called Sarge ・ A Man Called Shenandoah ・ A Man Called Sledge ・ A Man Called Sloane ・ A Man Called Tiger ・ A Man Could Get Killed ・ A Man Could Stand Up — ・ A Man Escaped ・ A Man for All Islands ・ A Man for All Seasons ・ A Man for All Seasons (1966 film) ・ A Man for All Seasons (1988 film) ・ A Man for All Seasons (disambiguation) ・ A Man for Burning ・ A Man for Emmanuelle ・ A Man for My Wife ・ A Man from the Boulevard des Capucines ・ A Man from Wyoming ・ A Man Has Dreams ・ A Man Holdin' On (To a Woman Lettin' Go) ・ A Man I'll Never Be Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク A Man Could Stand Up — ： ウィキペディア英語版 A Man Could Stand Up — ''A Man Could Stand Up —'' is the third novel of Ford Madox Ford's highly regarded〔William Carlos Williams wrote that the four Tietjens books 'constitute the English prose masterpiece of their time': ‘’Sewanee Review’’, 59 (Jan.-Mar. 1951), 154–61; reprinted in ''Selected Essays'' (New York: Random House, 1951), 315–23 (316). Malcolm Bradbury agreed, calling the sequence 'the greatest modern war novel from a British writer': 'Introduction', ''Parade's End'' (London: Everyman, 1992), xiii. Anthony Burgess thought it ‘the finest novel about the First World War’: ''The Best of Everything'', ed. William Davis, (London: Weidenfeld and Nicolson, 1980), 97.〕 sequence of four novels known collectively as ''Parade's End''. It was first published in 1926. ==Summary== ''A Man Could Stand Up —'' is the climax of the series, though it is volume 3. It opens on Armistice Day, in Valentine Wannop’s school, and the three chapters which make up the first Part are punctuated by fireworks exploding and the celebrations taking place in the surrounding streets. Valentine is on the telephone, having been called away from her duties as a physical instructor. It is around 11 a.m., and the excessive background noise means she cannot hear who it is on the phone. It eventually transpires that Edith Ethel Duchemin (now Lady Macmaster) is informing her that Christopher Tietjens is in London once more and in need of help. It is a tortuous conversation. Edith Ethel is malicious, and has managed to link Valentine’s name compromisingly with Tietjens’ in an earlier part of her conversation – which she had with her headmistress. By the end of this call, and the other conversation in Part I (between Valentine and the Head) we have been reminded of significant events from ''Some Do Not . . .'', as well as of the characters of those involved. Valentine has also reflected on her place in what is now the after-war world, and decided that if he still wants her she will attach herself, for good or ill, to Christopher, whom she loves. Part II shifts time and place dramatically, returning us to the front on a morning in April, 1918. Tietjens is enjoying a brief period of calm, and a conversation with his sergeant, but soon, the noises of war begin. The bombardments which take place in this novel are perhaps less bloody and desperate than in ''No More Parades'', though Tietjens does remember at one point the terrible death of O9 Morgan. Up to and even including the final explosive scene, with one notable exception, Tietjens’ emotional and psychological responses under fire are also subject to a greater sense of an evolving character. Ford, against the background of high tension, is carefully setting out the ways in which his hero will change. From the start of Part II the process is in train which culminates in Tietjens’ own declaration as to his place in the post-war world: he will retreat from his professional and personal encumbrances in order to live with Valentine and sell antiques to make a living. Part III of A ''Man Could Stand Up —'' begins as Valentine comes to Gray’s Inn in order to meet Christopher. Mrs Wannop, Valentine’s mother, and wife of Christopher’s father’s oldest friend, finds out, and seeks to prevent them becoming lovers. She telephones them, appealing to them both in different, highly manipulative, ways. While she talks to Tietjens, Valentine begins to learn about his war experiences as men from his unit arrive, honouring their promises to look him up; Tietjens, meanwhile, has confessed something of his continuing psychological and emotional terrors to Mrs Wannop. The drunken celebration and dance which ensues contains within it all the tensions of the inter-relationships between the men, as well as their combined experiences. Valentine finds herself thinking of Sylvia Tietjens more than once. The energy of the dance is compelling, and, a microcosm of Armistice Day, it draws volume 3 of ''Parade's End'' to a close. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「A Man Could Stand Up —」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.